![]() ![]() Most of these foreign artists elected to become French citizens after coming into contact with the exciting French artistic metropolis, but Miró remained attached to his Catalan homeland. He was one of the many artists who made their way from abroad to Paris during the first two decades of the 20th century. Paris and early workįrom 1919 onward Miró lived alternately in Spain and Paris. He wanted to portray nature as it would be depicted by a child equipped with the intelligence of an adult in this respect, he had much in common with the Surrealists and Dadaists, two schools of modern artists who were striving to achieve similar aims by more intellectual means than those used by Miró. He experimented with the boldly colourful Fauvist style, but his treatment of form was geometric, influenced by the work of Paul Cézanne and the Cubist artists.įrom early in his career Miró sought to establish means of metaphorical expression-that is, to discover signs that stand for concepts of nature in a transcendent, poetic sense. Galí also introduced his pupil to examples of the latest schools of modern art from Paris as well as to the buildings of Antoni Gaudí, Barcelona’s famous Art Nouveau architect.įrom 1915 to 1919 Miró worked in Spain-in Barcelona, at Montroig, and on the island of Majorca-painting landscapes, portraits, and nudes in which he focused on the rhythmic interplay of volumes and areas of colour. His teacher at this school, Francisco Galí, showed a great understanding of his 18-year-old pupil, advising him to touch the objects he was about to draw, a procedure that strengthened Miró’s feeling for the spatial quality of objects. His parents took him for convalescence to an estate they bought especially for this purpose-Montroig, near Tarragona, Spain-and in 1912 they allowed him to attend an art school in Barcelona. He then worked for two years as a clerk in an office until he had a mental and physical breakdown. According to his parents’ wishes, Miró attended a commercial college. ![]() Both his father’s background as an artisan and the austere Catalan landscape would be of great importance to Miró’s art. ![]() Miró’s father was a watchmaker and goldsmith. He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces. His mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. ![]() Joan Miró, (born April 20, 1893, Barcelona, Spain-died December 25, 1983, Palma, Majorca), Catalan painter who combined abstract art with Surrealist fantasy. Joan Miró suffered from cardiovascular disease and died at the age of 90 in his home in Palma de Mallorca, Spain.
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